Wednesday, November 7, 2012

Alchemy (a parable -- sort of)


Head down, angry, he worries the light switch. It only dims the room he is in, failing to complete the circuit for the dark room he needs to enter. He has to pee and finds the placement of switches irritating.

"Where is the ... switch for the other room, the bathroom?" He leaves what he really wants to say, which is "f--king" switch, unsaid. He swallows the curse and deposits it in the muscle of his neck and shoulder. There the profane poison tightens the sinews, twists the brain.

I stand up and step ahead of him into the dark room, reach around a corner, locate the illogically placed switch, and turn on the lights.

"There you go. Sorry for the lack of rhyme or reason to the electrical around here. This place was built in the 50s and has been remodeled a few times. The switches (plumbing, flat roofs, crumbling adobe, and bizarre architecture, I could add) don't match modern expectations (or code)."

He is not satisfied with this explanation and heads off in a huff to the bathroom.

The architecture is just one more thing that sets him off.

He is me, or rather part of me, and he finds what he is looking for: reasons to be pissed off. All the time.

Tonight it is a headache, a hollow tunnel of echoes, of mental cotton, that is goading on the discontent. He feels beset by this annoyance, this wall standing between him and getting where he wants to be.

Of course, there are plenty of other reasons to be pissed. Drivers on the way here for one. Does anybody actually watch the road anymore? Or have phones supplanted driving as the primary purpose of sitting in a car? Then there is the cash flow. Always more out than in. And, he wonders, why do I have to work so damned hard?

I follow along like a balloon tethered to a tricycle. This trike has squeaky wheels that wobble, and rusty, loose steering. It takes the power of hydraulic pistons to turn the pedals. But we move along.

Some people would call him impatient. Others just ornery. I see him as a prisoner. He is locked in to seeing things only one way, the way he learned a long time ago. The injuries and angers of childhood can be such a heavy load to tote around.

After finishing in the bathroom he heads back to the gathering. Others are waiting for him, in more ways than one. They stand on tip-toe, hoping that it will happen, that the cords will be severed and that he will join them in the big joke.

Once, not so long ago, under blue a moon, he almost cut it. His heart felt it would burst from the river of energy running through it, like he used to feel, somewhere in memory, all the time. Back then, play was easy and even the smallest of moments a drop of magic.

"Why can't he remember?" I ask. The mystery is waiting just on the other side of a veil, waiting to be called home.

I whisper something. "Go into the dark. Don't worry about the lights. You will find me there."

He listens, sort of. But the other voices are still too familiar, too loud, and rude. They have a monopoly on his fear and attention.

I bide my time. He is starting to wonder just who I am.




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